Comments on: Pros and Cons of Using Live Models When Photographing Jewelry https://jewelrymakingjournal.com/pros-cons-using-live-models-photographing-jewelry/ free jewelry tutorials, plus a friendly community sharing creative ideas for making and selling jewelry. Tue, 30 Jun 2020 18:11:38 +0000 hourly 1 https://wordpress.org/?v=5.7.15 By: Cardona https://jewelrymakingjournal.com/pros-cons-using-live-models-photographing-jewelry/#comment-615033 Tue, 30 Jun 2020 18:11:38 +0000 http://jewelrymakingjournal.com/?p=50357#comment-615033 Great article! I have been wondering about this even before COVID-19 since I usually make one-of-a-kind pieces. Instead of using models I use recognizable objects to illustrate the size and shape of my designs. I can see the benefit of using a model, but due to current events it is difficult to determine how a potential customer might feel when they see an actual person wearing the design.

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By: Dianne Jacques https://jewelrymakingjournal.com/pros-cons-using-live-models-photographing-jewelry/#comment-612755 Tue, 08 Oct 2019 16:39:13 +0000 http://jewelrymakingjournal.com/?p=50357#comment-612755 Interesting about showing models NOT wearing the jewelry. I think it would work for someone like me who has a very narrow niche. I like what Margaret said about not doing headshots. I also think the distance shots having fun, or at least smiling is better than close ups is a great idea and I’m not versed well enough on PS to do that much editing! For me, I just use the standard crisp white background. Now of course, I’m rethinking that! I think perhaps some lifestyle shots wearing the same style (size, design), but not the same piece?
I think some of those decisions would depend on your specific niche.

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By: Judith https://jewelrymakingjournal.com/pros-cons-using-live-models-photographing-jewelry/#comment-612753 Tue, 08 Oct 2019 16:00:51 +0000 http://jewelrymakingjournal.com/?p=50357#comment-612753 When I look at jewelry, I never wish I could see it on “someone else”. I study it closely and decide if it is something I would wish to wear. That is, unless I am actually buying it for someone else. In that case, I ask someone who is close to the age of the planned recipient if they like the jewelry.

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By: Mary Anne https://jewelrymakingjournal.com/pros-cons-using-live-models-photographing-jewelry/#comment-612730 Tue, 08 Oct 2019 12:38:01 +0000 http://jewelrymakingjournal.com/?p=50357#comment-612730 Rena, I agree- with traditional sized jewelry. But! When purchasing art sculpture/oversized necklaces or bracelets or really unusual pieces, itโ€™s often difficult to assess the size, hang, drape, proportions, etc of a piece that is not on a real human, or a life sized mannequin. As a collector of unusual art jewelry, I am very annoyed with most jewelry displays depicted in online photos…those with the tiny neck and shoulders which are 1/3 the size of a real human. It skews the jewelry sizes drastically when selling oversized pieces.

As a artist and designer myself, when selling necklaces and earrings, I try to use a lovely life size mannequin head for at least one frontal and one side photo for earrings and short necklaces. In the case of much longer necklaces, a full mannequin: head to hips is crucial.

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By: Senita https://jewelrymakingjournal.com/pros-cons-using-live-models-photographing-jewelry/#comment-590584 Thu, 19 Apr 2018 03:35:22 +0000 http://jewelrymakingjournal.com/?p=50357#comment-590584 What a great discussion! I , too, was leery of using live models for my jewelry because of several of the reasons previously listed. However, time and time again, my friends and regular customers will say of my online designs – “I wonder what that looks like on.”

I also noticed that when I shop online for jewelry, and I find an item that I like, the first thing I do is look for it being modeled. Now, I have a photo shoot scheduled. ๐Ÿ™‚

I also like the idea of props, but don’t care for using a ruler or coins for my finished designs. I’m thinking of coffee mugs, wine glasses, fancy ink pens, or maybe a photo in a frame. What do you think?

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By: Rena Klingenberg https://jewelrymakingjournal.com/pros-cons-using-live-models-photographing-jewelry/#comment-556929 Wed, 20 Sep 2017 00:32:23 +0000 http://jewelrymakingjournal.com/?p=50357#comment-556929 In reply to Jean BH.

Thanks for sharing your thoughts on this issue, Jean! ๐Ÿ™‚

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By: Jean BH https://jewelrymakingjournal.com/pros-cons-using-live-models-photographing-jewelry/#comment-556927 Wed, 20 Sep 2017 00:26:37 +0000 http://jewelrymakingjournal.com/?p=50357#comment-556927 Thanks for all the comments on this subject. I am in the process of redoing all of my photos in my Etsy and had opinions on both sides. My final decision will be a flat white background with very good lighting. If I do use a model, I will give them that jewelry piece and make a duplicate with a note in the item description.

Personally I like pieces displayed without live models. I really want to focus on the jewelry.

Again, thanks for all of the information.
J

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By: Rena Klingenberg https://jewelrymakingjournal.com/pros-cons-using-live-models-photographing-jewelry/#comment-556893 Tue, 19 Sep 2017 19:21:12 +0000 http://jewelrymakingjournal.com/?p=50357#comment-556893 In reply to Nata.

Nata, thank you for your insightful comment! And I so appreciate the care you take to keep your jewelry pristine. I can see that many of your beautiful bead embroidery and mixed-media pieces would be impossible to clean. And I agree, using various props and displays can often show off jewelry better than a live model could – and without being distracted by the model’s clothing, hair, facial expression, etc.

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By: Nata https://jewelrymakingjournal.com/pros-cons-using-live-models-photographing-jewelry/#comment-556887 Tue, 19 Sep 2017 18:51:00 +0000 http://jewelrymakingjournal.com/?p=50357#comment-556887 As always, great discussion! Thank you all, friends and colleagues!

No, there is no one golden solution that fits all. I do make bead embroidered jewelry and no, I do not use live models for photos. When I make my pieces I wash my hands often to keep the work clean, and when I have to try them on to see how they will “wear”, I am trying to do so over the clothing, to avoid the touching of my body/skin. Bead embroidery is finished with the fabric (leather, suede, Ultrasuede, silk, velvet, etc.) on the back. How can I use a live model wearing it for the photoshoot and then offer it for sale as bright new? Making one as a sample and wear that for a photoshoot and then make more of identical pieces, well, that doesn’t work for me. I spend days and sometimes weeks making a piece, and I use unique stones, and I am not interested in making $200+ pieces as “samples”.

On the other hand, I personally know an artist who makes sterling and gemstone jewelry and wears it for awhile to live events for promotion, then cleans and selsl it, and nobody will ever guess that some of these items were worn a couple of times. Personally, I do not have a problem with metal and gemstone jewelry that has been worn.

But. Handmade bead embroidery is a quite different case. You can’t clean it! So, yes, like many artists here, I am in the hard place, too. People want to see how my pieces will look on them, but then again, in many cases it is simply a curiosity that doesn’t involve serious interest in purchasing. Etsy now allows 10 photos per listing, and I am making sure I have great pictures with a lot of details and different angles. I’ve also recently purchased a mannequin hand and will be adding new photos using this prop. If a person absolutely LOVES my piece, they will make an effort to ask more about it to make sure it will be a right fit. And if the person is just a “habitual browser”, no amount of photos on live models will convince him or her to buy.

One other good suggestion I saw in the discussion above, is to post photos of actual customers wearing similar item in real life. I am considering doing that, adding one appropriate photo into my Etsy listing, with the explanation that this is a similar item worn by an actual happy customer in real life :).

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By: Rena Klingenberg https://jewelrymakingjournal.com/pros-cons-using-live-models-photographing-jewelry/#comment-556843 Tue, 19 Sep 2017 14:23:36 +0000 http://jewelrymakingjournal.com/?p=50357#comment-556843 In reply to Margaret.

Margaret, thank you for mentioning that! I agree with you that the expression on a live model’s face can have an impact on how we feel about the jewelry. I often have a negative feeling about products modeled by people who look angry or unhappy.

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By: Rena Klingenberg https://jewelrymakingjournal.com/pros-cons-using-live-models-photographing-jewelry/#comment-556842 Tue, 19 Sep 2017 14:19:25 +0000 http://jewelrymakingjournal.com/?p=50357#comment-556842 In reply to Anne.

Great idea, Anne! Thanks for sharing the idea of posing the jewelry on gloved hands / wrists.

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By: Anne https://jewelrymakingjournal.com/pros-cons-using-live-models-photographing-jewelry/#comment-556841 Tue, 19 Sep 2017 14:13:20 +0000 http://jewelrymakingjournal.com/?p=50357#comment-556841 When it comes to bracelets, one solution I have for the “yuck” factor and the fact that I don’t have pretty hands is gloves. I model my bangle bracelets over opera gloves in a neutral or coordinating color. It’s not as stiff as a mannequin hand or as distracting as my own imperfect one.

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By: Margaret https://jewelrymakingjournal.com/pros-cons-using-live-models-photographing-jewelry/#comment-556834 Tue, 19 Sep 2017 14:03:18 +0000 http://jewelrymakingjournal.com/?p=50357#comment-556834 Regarding your question about using live models:
I go two ways on that. I agree with the person who mentioned that live models would help “see” a statement piece as it is worn, yet…. what if the viewer doesn’t like the model? By that, I mean: what if the viewer/potential customer is turned off by the model to the point that they do not want to look at the picture? If the model seems angry (as they often do in fashion shots), it is hard to want to even think about the piece. (I once wrote to a beading magazine because every single photograph showed a model who looked very depressed or unhappy. Why would I want a piece of jewelry which makes me look like that?)
If I use a live model for photos, to illustrate how a necklace hangs, for instance, I do not include her face. I only show the area where the necklace is, sort of like a bad photo where you cut off someone’s head in the picture. For bracelets, all I need is the part of the arm and a bit of the hand, to show how they fit.

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