Comments on: How to Handle Copycats in My Booth? https://jewelrymakingjournal.com/how-to-handle-copycats-in-my-booth/ free jewelry tutorials, plus a friendly community sharing creative ideas for making and selling jewelry. Sat, 04 Jan 2020 06:30:57 +0000 hourly 1 https://wordpress.org/?v=5.7.15 By: Rena Klingenberg https://jewelrymakingjournal.com/how-to-handle-copycats-in-my-booth/#comment-613324 Sat, 04 Jan 2020 06:30:57 +0000 http://jewelrymakingjournal.com/?p=8022#comment-613324 In reply to Cheryl.

Cheryl, I have had similar experiences regarding copycats.

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By: Cheryl https://jewelrymakingjournal.com/how-to-handle-copycats-in-my-booth/#comment-613310 Tue, 31 Dec 2019 04:39:41 +0000 http://jewelrymakingjournal.com/?p=8022#comment-613310 I’m of the opinion that there is enough for everyone. I had never considered a confrontation with a “copycat”, prior to reading this- it’s very interesting.
I just can’t believe that a person who doesn’t have the design creativity and drive to resource needed materials, could ever be truly successful by relying on others ideas.
On inspiration, I collect Pinterest photos of jewelry and love to peruse them. It gets the ideas flowing, inspiration turns into action.
When I have tried to share methods with people, I find that they can’t really do what they thought they could by asking for details of process. It might just be a dream for many.

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By: Rena Klingenberg https://jewelrymakingjournal.com/how-to-handle-copycats-in-my-booth/#comment-611193 Mon, 06 May 2019 05:21:37 +0000 http://jewelrymakingjournal.com/?p=8022#comment-611193 In reply to Alice.

Alice, what a valuable experience working with the popular designer! 🙂

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By: Alice https://jewelrymakingjournal.com/how-to-handle-copycats-in-my-booth/#comment-611192 Mon, 06 May 2019 01:19:04 +0000 http://jewelrymakingjournal.com/?p=8022#comment-611192 In reply to Rena Klingenberg.

Also I worked a few years making jewelry for a local very popular designer. While I did get more comfortable making multiples, and learned a few new techniques, I can honestly say that I have never copied her pieces. And when she saw my pieces for sale, she gave very good reviews. Interestingly, I have seen things online that could be direct copies of hers, I can spot them in a heartbeat. However our styles are so different that there should never be an issue and I strive to keep it that way. Out of respect for her creativity. And gratitude for the whole great experience.

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By: Rena Klingenberg https://jewelrymakingjournal.com/how-to-handle-copycats-in-my-booth/#comment-611188 Sun, 05 May 2019 00:36:33 +0000 http://jewelrymakingjournal.com/?p=8022#comment-611188 In reply to Alice.

Alice, thank you for sharing this approach to avoid with copying others’ designs.

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By: Alice https://jewelrymakingjournal.com/how-to-handle-copycats-in-my-booth/#comment-611185 Sat, 04 May 2019 20:31:53 +0000 http://jewelrymakingjournal.com/?p=8022#comment-611185 Fascinating array of opinions here. While I have not done many shows, a cast silver piece I made in a class a few years ago was admired by a classmate. This happens all the time. But then I saw a magazine ad by this same person, there was my piece, copied about 95%. Then I found out they were infamous around town for this behavior. I was a bit annoyed, yes, also flattered.
I love looking at art jewelry, and always let them know that I am a maker too. But I never copy. Yes a technique or shape may inspire me, but if I am really tempted to try this myself, here is where I follow the advice from well known jewelry artist/instructor Lexi Erickson.
She tells students, if a piece inspires you so, make it – but change it in some way at least 20%. Then make it again, changing it at least 20%.
By then it is a uniquely yours piece that still contains some essence of the inspiration piece, but can in no way be called a knockoff.
Also, full disclosure here, I’ve only done this a couple of times, and am surprised and gratified by how dissimilar my rendition is from the inspiration piece.
As for sharing supply sources? Others have freely shared so much with me over the years that I love sharing these things.

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By: Laura https://jewelrymakingjournal.com/how-to-handle-copycats-in-my-booth/#comment-610130 Thu, 14 Feb 2019 03:59:27 +0000 http://jewelrymakingjournal.com/?p=8022#comment-610130 In reply to DeWanda.

Just hand them YOUR card with this written on the back: CONSULT $25.00 PER HOUR OR DID YOU WANT TO BUY MY COPYRIGHT?

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By: Eddword https://jewelrymakingjournal.com/how-to-handle-copycats-in-my-booth/#comment-610128 Wed, 13 Feb 2019 19:49:04 +0000 http://jewelrymakingjournal.com/?p=8022#comment-610128 I often have people wanting to take pictures of my work and I really don’t care..I myself have gone on Pintrest to discover new ideas and try to reverse engineer some of the ideas I see there. I figure that if a person wants to copy what I do, then knock yourself out. A lot of my inspiration comes from trial and error anyway. I also know that original ideas are hard to come by these days, with so many jewelry artists out there. How many times have you found someone else’s work that resembles what you thought was your own original idea? I do have some techniques that I use that are impossible to figure out if you don’t know the right steps to take. This is especially true with some of the more complex rings and bracelets I make using a single length of wire. I also make some of my own specialty tools and jigs.
I also think that, If you are so worried about someone infringing on your ideas and abilities then maybe you should post a sign stating that photos are not allowed. I can only think that , that would just create an unfriendly atmosphere that would deter some buyers as well. But, That’s just my opinion. And lastly, I have made many post sales after an event due to word of mouth and photos that were taken by admirers. Some things are just not worth worrying about. Anyhow have a great day.

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By: Debra Lowe https://jewelrymakingjournal.com/how-to-handle-copycats-in-my-booth/#comment-610127 Wed, 13 Feb 2019 18:52:23 +0000 http://jewelrymakingjournal.com/?p=8022#comment-610127 In reply to Michelle.

PERFECT~

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By: Kelsey Keyes https://jewelrymakingjournal.com/how-to-handle-copycats-in-my-booth/#comment-610125 Wed, 13 Feb 2019 17:05:49 +0000 http://jewelrymakingjournal.com/?p=8022#comment-610125 I do a lot of French technique, which is fairly uncommon, so you notice when someone else is at a show doing it. For a few years there was a woman who all of her designs were copied out of one well known French technique authors beginner books. She didn’t even vary the colors. After noticing my work, she started taking pictures (while pretending to check her phone, she would always comment that one of her kids was texting when no one was near her). One day, she was doing it again. I said I see you like my new designs. She said, I have been meaning to make some of these. I thought go head. I used spring steel and piano wire (very challenging to bend, all of her work was in craft wire — not an easy jump to make) and 7-9 years later I still have never seen anyone else make anything like them. I am sure either the inability to make the design support itself in craft wire or the hand cramps are the reason she stopped coming to my booth. 😉

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By: Carol https://jewelrymakingjournal.com/how-to-handle-copycats-in-my-booth/#comment-610122 Wed, 13 Feb 2019 15:33:43 +0000 http://jewelrymakingjournal.com/?p=8022#comment-610122 Some of the people taking photos may be hobbyists and just want to look at your photo later for inspiration, or yes, to try to copy it for their own use. They are not professionals selling. If you assume every person taking a photo is a copycat, well, you are creating angst for yourself that you don’t need.

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By: Katie https://jewelrymakingjournal.com/how-to-handle-copycats-in-my-booth/#comment-610119 Wed, 13 Feb 2019 15:07:44 +0000 http://jewelrymakingjournal.com/?p=8022#comment-610119 Sorry….I added the previous comment accidentally before i was finished…

To make it difficult…when I designed my booth, I hand designed all of my displays, table covers, risers and shelving. Everything was then gone over and manufactured by other artists including a wood worker (my displays, risers and shelving are all solid wood), a sewing artist who helped me pick fabrics and sewed my table covers and a ceramic artist who created a beautiful large vase. This is a win-win because I was able to trade artwork to help with the cost of manufacturing and support other artists in the process. This is somewhat odd within a post about copying but at many craft and art fairs, the booth designs that I see most often are much alike. This tells me that many of these artists have copied each other or what they have seen online. I have often been told that my booth is the most original and beautiful. It instantly declares the quality and time that I put into my creative process and what customers can expect from my jewelry.

Within the jewelry making process, I do recommend spending time (and it does take a large amount of time) looking for unique components to use within your jewelry. It also takes more money because you cannot simply place one large discounted order from a single supplier. I love to support other artists and frequently purchase handmade glass blown beads and unique hand cut cabochons from local gemstones. It helps immensely to immerse yourself in local culture and to belong and attend your local bead guilds, rock and gem clubs and art galleries and to keep in contact with the artists whose work you love. I also take the time to look at other booths at the shows I attend – for example, at the last one, I found a wood burning artist that carried small discs and I was able to purchase a couple to use as cabochons. I have found that for many people who simply want to copy someones designs that assembling the wide variety of components I use is just too difficult. They usually want items that are easily gathered and easily assembled.

That being said…at the holidays, I do usually make and carry some simpler designs and at my last show, I had a customer tell me that someone else had something similar for much less money. When they showed me what they had purchased, I was able to explain that the product had less components, was generic crystal, was not quite structurally sound and was silver plate vs. sterling silver. Being able to recognize components and explain the various properties behind them to your customers is a large part of selling and keeping your customers coming back.

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By: Katie https://jewelrymakingjournal.com/how-to-handle-copycats-in-my-booth/#comment-610118 Wed, 13 Feb 2019 14:35:33 +0000 http://jewelrymakingjournal.com/?p=8022#comment-610118 I’ve found that the best way to deal with copycats is to make it extremely difficult for them to actually copy your booth or design. I also place a small sign in my booth that simply states “No Photographs, Please”.

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By: Ladyphoto https://jewelrymakingjournal.com/how-to-handle-copycats-in-my-booth/#comment-610105 Tue, 12 Feb 2019 23:24:18 +0000 http://jewelrymakingjournal.com/?p=8022#comment-610105 During the Christmas season of 2018 I added a new line of necklaces using materials that had never been used in my area. I made a comment to my husband as to how long it would take for someone to copy my ideas and materials. It didn’t take even a month for another member of our co-op gallery to begin using my main new material. She used her ideas to complete it, but she undoubtedly got the idea from me. During January, someone else in the co-op asked me what the material was ( titanium mesh) and where I got it. I just told her I got it from the Internet. Waiting to see if others start using it. The same thing happened in our gallery when an original artist began painting with beautiful bubbles in the sky. Eventually I noticed that two others started putting bubbles in their paintings. This has happened with other subject matters – painting ballerinas from historical painters, and using other artist’s styles of jewelry. I have taken several jewelry classes from other artists but try not to do what they do. I learned to do Viking knit, and made it several years ago. Then I took a class from a jeweler in our gallery on Viking knit to refresh my technique. I feel that I could do that in good conscious, but still haven’t done any more to display.
While I can’t say that nobody would ever start using titanium mesh, I can’t believe that people in the same gallery would copy others. I try not to do that. Each artist in a gallery should have his/her own style.

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By: Diana M Pucci https://jewelrymakingjournal.com/how-to-handle-copycats-in-my-booth/#comment-610103 Tue, 12 Feb 2019 22:00:18 +0000 http://jewelrymakingjournal.com/?p=8022#comment-610103 I often purchase creative items that look like I could have designed them. Why recreate the wheel? Why do work that someone else has already done. I also purchase creative items that are beautiful and I know I won’t attempt to make, even though I could, because it is quicker. Immediate gratification, Thank You. Thankfully I don’t have to survive on my work. LOL I do understand the frustration of poor workmanship in a copy. I feel for You Tammy, being betrayed by a friend is tough and even more so when she doesn’t do the work justice.

Some seeming copycats may be pure chance, I once railed at my art instructor, because another student copied the essence of my design and was selling it on the street for $5. I was more upset at the poor quality, than I was, that I was copied. She told me that it was the ultimate in compliments, if I was copied, but that it could have been pure coincidence, that in a society where everyone is influenced by all that surrounds, them many people may have similar or even the same ideas at the same time, without ever seeing each others works. I never found out if the person I suspected, was indeed guilty or had any part in the making of the piece I purchased from a street vendor. The timing though….

Good luck to all those who make a living creating art or jewelry. To paraphrase what others have said, ” Keep on creating and leave the copycats in your dust.” You probably have more ideas than you can possibly bring to reality. Be comforted that you are that good!

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By: janice donahue https://jewelrymakingjournal.com/how-to-handle-copycats-in-my-booth/#comment-610101 Tue, 12 Feb 2019 20:16:57 +0000 http://jewelrymakingjournal.com/?p=8022#comment-610101 I am one of those people who ask questions, not to copy, but to learn a little something of how things are done. I don’t expect a lesson, but asking where someone buys wire is hardly a criminal act. I do have a funny a funny story about a polymer clay artist who had done some awesome beads. I asked how in the world did she create them, and her response was a very dry..”Well, if I told you, I’d have to kill you” We both laughed. I did see the same type of beads in a book, that I had later checked out from the library. (just to note: she was not the author of the book) And no, I don’t have the talent to try and make that bead.

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By: Debra Lowe https://jewelrymakingjournal.com/how-to-handle-copycats-in-my-booth/#comment-610088 Tue, 12 Feb 2019 16:58:36 +0000 http://jewelrymakingjournal.com/?p=8022#comment-610088 In reply to Melissa Arnold.

When I was a miniature sculptor, I did a show and everyone was excited about the “Hallmark” company being there. It was as if they were royality…NOT. That year I had done a miniature scene in a walnut shell with polymer clay. The shell was real, I put tiny hinges on it and cut windows…it was very unique. Hallmark was there to shoot pictures and get ideas…um steal ideas. The very next Christmas season Hallmark introduced a new ornament…a walnut shell with hinges and a scene inside. My husband was livid, I was sad and felt as though a huge corporation I couldn’t begin to fight had swooped in and stole from me and then made millions on me…where’s my cut?!

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By: Debra Lowe https://jewelrymakingjournal.com/how-to-handle-copycats-in-my-booth/#comment-610086 Tue, 12 Feb 2019 16:43:25 +0000 http://jewelrymakingjournal.com/?p=8022#comment-610086 I do one of a kind pieces, but honestly I realize two people can have a similar design idea at the same time…both will vary according to their techniques…blatantly copying others work is stealing…free enterprise, but still theft. I have the same generic answer that many have, I get things everywhere, the hunt is half the fun. I get that disgusted look that they won’t get any valuable info out of me, but I can still be pleasant…even though the inside me is grumbling.

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By: Gloria https://jewelrymakingjournal.com/how-to-handle-copycats-in-my-booth/#comment-610085 Tue, 12 Feb 2019 16:30:07 +0000 http://jewelrymakingjournal.com/?p=8022#comment-610085 In reply to Debra.

That’s awful. Would like the name so I do not purchase from them in the future.

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By: Gloria https://jewelrymakingjournal.com/how-to-handle-copycats-in-my-booth/#comment-610084 Tue, 12 Feb 2019 16:19:43 +0000 http://jewelrymakingjournal.com/?p=8022#comment-610084 I don’t do shows as I am not physically able to. The last and only one I did someone commented on a piece of jewelry being to expensive. It was not over priced I was just at the little “local” Christmas show and they didn’t want to spend money on well made jewelry. I paid for doing that show as I was unable to move for a day or so. So shows are not an option.

I do however like to see the creativity of other artists and get inspired. Especially when I need inspiration. I know of an instance where my friend bought a bracelet from a person who owned a store, and the 1st time she wore it it broke. The maker said she musta caught it on something as it should not of broken. She did fix it but charged for the repair. Had it been mine I would have apologized and fixed it and never fought over it. But I guess as with this article some people are just too big for their britches.

As to nothings new. I was browsing my bead tool looking for an old pattern and ran across something I had designed years ago. Then found almost the exact pattern on pinterest just different colors. So just keep in mind. We artists/jewelry makers think the same so often. I made a set with quadratiles, posted it on one of my fb jewelry things and was asked for a pattern. I told them sorry I didn’t have one. But when I wore it to town first stop I sold a special order of the set in a different color. It was beautiful and we were both happy AND she tipped me on top of it. I love the design, I was inspired by my hero Diane Fitzgerald on a piece she had done with the round quad lintels.

Have learned much and thank you. BTW I have had a business license with my state for almost 20 years.

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By: Judy https://jewelrymakingjournal.com/how-to-handle-copycats-in-my-booth/#comment-610082 Tue, 12 Feb 2019 16:17:54 +0000 http://jewelrymakingjournal.com/?p=8022#comment-610082 In reply to Rena Klingenberg.

Thank you Rena! I love your tutorials!

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By: Rena Klingenberg https://jewelrymakingjournal.com/how-to-handle-copycats-in-my-booth/#comment-610079 Tue, 12 Feb 2019 15:50:03 +0000 http://jewelrymakingjournal.com/?p=8022#comment-610079 In reply to Judy.

Judy, thank you for sharing your thoughts – and you know you can sell the jewelry you make from my tutorials.

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By: Allison https://jewelrymakingjournal.com/how-to-handle-copycats-in-my-booth/#comment-610077 Tue, 12 Feb 2019 15:30:37 +0000 http://jewelrymakingjournal.com/?p=8022#comment-610077 This is an interesting discussion. I often look very intently at a piece of jewelry, especially if it has been made using a technique I haven’t seen in person before. Sometimes I buy, mostly I don’t, but I try to pay for my perusal with a few friendly remarks – making sure other potential customers in/near the booth hear me. “Did you use such-and-such technique? I know it takes a LOT of practice to get to this level of skill, and your work is beautiful.” “I go to a lot of these shows, and I’ve never seen wire-wrapping done this well before!” “Your color choices are wonderful – not everyone can do that!” If a potential customer is talking to the vendor when I leave the booth, I feel like I returned the favor of getting to see something cool.
I’ve made a few friends this way, too. Talking shop is fun, and I learn things every time.
As far as sharing suppliers goes, if it’s materials like wire or sheet, I just rattle off the names, and add that if they google they’ll be able to find the best deal since the prices fluctuate. For other stuff – there are forums all over that exist to help other artists out – search on FB or google.

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By: Valarie Lewis https://jewelrymakingjournal.com/how-to-handle-copycats-in-my-booth/#comment-610075 Tue, 12 Feb 2019 15:27:33 +0000 http://jewelrymakingjournal.com/?p=8022#comment-610075 Mine might be an odd way of dealing with it, but it works for me. I encourage people to take pictures. I even model the pieces, but while they are there, I ask where they are going to post the pictures and offer to help them with tagging my shop.
If people ask about suppliers, I usually tell them that I share all of that at my work shops (I have never done a workshop) and ask if they would like to sign up for one.

No one ever built a brand by copying someone else. I also find inspiration in other people’s work, but I am not necessarily out to copy it. I have studied different techniques from a lot of artists, but my work doesn’t resemble any of them. As they walk out of my booth I usually say “remember, that’s hashtag wired and Fired Designs!”

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By: Judy https://jewelrymakingjournal.com/how-to-handle-copycats-in-my-booth/#comment-610073 Tue, 12 Feb 2019 15:25:45 +0000 http://jewelrymakingjournal.com/?p=8022#comment-610073 I’ve only done a few craft fairs, but I’m going to need to step it up and start selling some of my inventory, so I really appreciate this thread! I’ve bought some tutorials and when I’ve sold, I’ve made sure they included permission to sell the product, and I provide a link to the tutorial in order to give credit. I do this whether I change the design or not. Usually I just create my own designs though, and I have had people take photos or ask where I get supplies or how I learned different techniques. I don’t mind giving those details, and sometime get their email address and send them direct links. That said, making jewelry is not my “day job” and I don’t rely on it as my primary source of income, and I’m frankly not as accomplished as many on this thread. I would imagine if this is your livelihood, this issue would be much more problematic. I appreciate gaining a better understanding!

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By: Rena Klingenberg https://jewelrymakingjournal.com/how-to-handle-copycats-in-my-booth/#comment-610067 Tue, 12 Feb 2019 14:45:35 +0000 http://jewelrymakingjournal.com/?p=8022#comment-610067 In reply to Sarah de Larrinaga.

Sarah, I like your ways of handling this issue – especially smiling while thinking “just you try”. And if they can…well, they weren’t ever going to be your customer anyway.

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By: Sarah de Larrinaga https://jewelrymakingjournal.com/how-to-handle-copycats-in-my-booth/#comment-610066 Tue, 12 Feb 2019 14:35:19 +0000 http://jewelrymakingjournal.com/?p=8022#comment-610066 Hmm – I must admit as a customer I don’t like to see those “no photography signs”. There are several traders who do it at one of my regular craft fairs and it just looks unfriendly IMO. And I’ve had lots of people take photos so they can refer to someone else, or buy on-line later – I had several sales at Christmas from people who’d seen a piece at a summer event and sent the photo to find out if it was still available.

Yes, it’s really annoying to have someone look intently at a piece, ask you questions about it, then turn to their friend and say I can make you one like this for much less – this happened to me! – but then I think about all the time and money I’ve invested in my materials and training and practice, and smile while thinking “just you try”. And if they can…well, they weren’t ever going to be a customer of mine anyway.

The other thing is, our jewellery, our presentation and our stands reflects ourselves. If someone tried to copy a piece of mine, or my stand, it wouldn’t be authentic to them, and they certainly wouldn’t be able to sustain it. Having said that, I never give away info about my techniques or suppliers – if people ask, I ask if they make jewellery, and if they say yes then I ask about what they make and deflect the convo away from my suppliers and techniques.

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By: Rena Klingenberg https://jewelrymakingjournal.com/how-to-handle-copycats-in-my-booth/#comment-610057 Tue, 12 Feb 2019 14:10:04 +0000 http://jewelrymakingjournal.com/?p=8022#comment-610057 In reply to Elizabeth Trail.

Elizabeth, you’ve found great ways to move past rather then get upset. I laughed when I read the part about your customers going past the copycat’s booth saying, “Oh, you’re carrying Elizabeth’s work!”

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By: Elizabeth Trail https://jewelrymakingjournal.com/how-to-handle-copycats-in-my-booth/#comment-610048 Tue, 12 Feb 2019 13:47:20 +0000 http://jewelrymakingjournal.com/?p=8022#comment-610048 Many years ago, we had a craft gallery in a popular tourist town. One of our artists made beautiful bas relief leather wall pieces. Somehow the question of copying came up, and he said “People copy me all the time. But I don’t worry about it. By the time they get to where I am now, I will already be way out there….” As he spoke, he gestured toward the horizon. He had spent a lot of time perfecting his skills, and he was confident that he would always be a step ahead creatively of anyone who tried to copy him.

I’ve always remembered that, and always try to make that a mantra for my own art.

I have had a few times when people have bought pieces from me and made molds. And in those cases, I’ve confronted them at shows with mixed success. But the truth of the matter is that I had name recognition in my specialty, which is dog, cat, and equestrian jewelry, and most of my customers weren’t deceived.

I did confront a copycat at one show, she said “No this isn’t your charm, see it’s a lot smaller.” I said “Yes, it’s 10% smaller, that’s exactly the shrinkage you’d expect when you make a second generation mold.” So I spread the word, and about 20 of my customers went by her booth, and said “Oh, you’re carrying Elizabeth’s work!” That annoyed her so much that she eventually pulled the item, at least for that show. When it happened with a mail order catalogue, I used an email list I was on to organize a call-in. Not only did she return the inventory she had purchased to the person who had ripped off my molds, but she ordered replacements from me.

As far as people photographing my work, I don’t see that as a problem. In the first place, how do I know that someone taking the picture isn’t planning to order at a later date, or show it to a friend? Also, all of my work is posted on my website, my Etsy shop, and my eBay store. So it’s a right click away if someone wants an image. That said, I love the idea of photographing the photographer if I was sure that he or she was a competitor. I hope I’d have the guts to do it!

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By: Liz https://jewelrymakingjournal.com/how-to-handle-copycats-in-my-booth/#comment-610039 Tue, 12 Feb 2019 12:05:09 +0000 http://jewelrymakingjournal.com/?p=8022#comment-610039 As far as those taking pics goes. I love the idea of whipping out your own camera but couldn’t you also put up a sign such as. “Please do not create bad karma for yourself by taking pictures, it is the same as stealing.”

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By: Debra https://jewelrymakingjournal.com/how-to-handle-copycats-in-my-booth/#comment-503636 Mon, 09 Jan 2017 13:54:31 +0000 http://jewelrymakingjournal.com/?p=8022#comment-503636 Here is a new twist on the copy-cat issue: While learning to wire wrap, I purchased a tutorial from a well known artist/designer. I made the piece, and was happy that I learned something new. I took that design, and changed it up a bit to give it a different look. I posted pictures on a few Facebook jewelry groups, and described the piece as my interpretation of so-and-so’s design (I have been told by others to always give credit to the designer). A few weeks later, this artist posted a piece using my variation of the design and claimed full credit for it. WOW, I was not super-flattered that my design change inspired this artist to claim it as their own. I have done this with other tutorials, and if the designer happens to see the picture, they almost always say that they like what I’ve done or make some other positive remark. I’ve had one designer tell me that tutorials are the foundation to learn something new and then use that knowledge to make it your own. But that one artist, who posted their own pictures of my idea…absolutely not worth arguing about and who would believe me anyway? This person is the designer, after all 🙂

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By: Judith https://jewelrymakingjournal.com/how-to-handle-copycats-in-my-booth/#comment-439875 Sat, 23 Apr 2016 18:12:39 +0000 http://jewelrymakingjournal.com/?p=8022#comment-439875 I’ve found that copies of anything are usually just that; not original. The real issue is if someone rips off your idea and calls it their “original”. The old painting ‘masters’ often did take offs from what other artists were painting. I’ve thought many times in my life that I had this very original idea and then stumbled across a very similar theme, idea, or item, made hundreds or thousands of mile away. The human mind is very creative, unlimited. I would not allow pictures of my work. However, people can now wear eye glasses with photo lens in the frame. I am more worried about my safety than preventing someone stealing an idea which already may be a takeoff of someone else’s idea far from our view. Photographing our own work, catalog it with date and filing it away will help if you want to claim someone stole your original art work and follow that up in a law suit.

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By: Ruth Vilches https://jewelrymakingjournal.com/how-to-handle-copycats-in-my-booth/#comment-349686 Tue, 14 Apr 2015 16:47:16 +0000 http://jewelrymakingjournal.com/?p=8022#comment-349686 I once copied someone that I thought I never see again. But I did in the same show months later. She recognized her work even though it was different. I apologized profusely and promised never to do it again. Early start of my shows. I get people at my booth all the time taking pictures and asking where I buy my materials. I tell them everywhere and mentioned a few websites. I really don’t mind if people copy because when you’re creative, you almost never do the same piece twice. You’re always creating different styles and shapes, colors. It is very hard for people to keep up. Then I look at it as a positive sign that they love my creations and have a rapport. Just talking to people you learn so many things. I love what I do no matter what. It is a free world here. Be creative and happy.

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By: Ann L. https://jewelrymakingjournal.com/how-to-handle-copycats-in-my-booth/#comment-254969 Sun, 09 Nov 2014 02:59:08 +0000 http://jewelrymakingjournal.com/?p=8022#comment-254969 Why say, “I don’t reveal my sources,” which is unnecessarily confrontational? I think it is a legitimate question. Surely every jewelry artist has had the occasion to ask that of someone at some time. Just because someone would love to buy a bead or finding they see in your booth doesn’t mean they want to copy your whole piece.

It is hard for me to answer “where” because I get my beads and findings from so many sources, I can’t always remember. Of course if you have a special secret source, you don’t want to give it away, but why be holier-than-thou about it? If you don’t know or don’t want to say, here are noncommittal answers that will slake their curiosity without being offensive and aggressive: Fire Mountain Gems, Shipwreck Beads, E-bay, Michael’s, Hobby Lobby, JoAnn’s, Wal Mart, garage sale, birthday present, swap meet, bead show…anything that gives them a friendly answer and still protects any source you might not want to reveal is a fair response and doesn’t make you come off sounding like you need to take a chill pill. A friendly atmosphere in your booth will result in additional sales.

If you are the type of person who can’t stand for someone to take photos, post a sign at your booth that says, “No photos, please.” I really like the suggestion from the person who said to take a picture of anyone photographing items from your booth. If they ask why, tell them your designs are copyrighted and you pursue any instance of copyright infringement.

Personally, I don’t sweat it. Most of my things are one of a kind, because I can’t afford to buy pendants and focal beads in bulk. Someone taking a photo might create something similar, but it will not be the same piece. Sharing a source can be the start of a friendship. Other jewelry designers are not automatic enemies, and anyone who feels that way has a bigger problem than the possibility that someone might try to copy a design.

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By: Tanny https://jewelrymakingjournal.com/how-to-handle-copycats-in-my-booth/#comment-224646 Sun, 12 Oct 2014 02:02:17 +0000 http://jewelrymakingjournal.com/?p=8022#comment-224646 I have had this happen to me just last year…..and to add insult to injury the person who stole my idea was one of my own friends. She not only duplicated my jewelry she then decided that she wanted to wholesale to stores. So instead of going to stores far away from my area, she started wholesaling in my own back yard……….she now has flooded the market on what was a unique original idea of mine. People now see me at shows or come to my own store and say…….oh yeah, I’ve seen that jewelry in other stores before. This so called friend does inferior work ( not just saying that because she stole my idea…but because customers have told me and I have done numerous repairs to her work ) so her poor craftsmanship is reflecting badly on me. She is slow to answer emails or phone calls about custom orders and people think it is my jewelry ( as I had the original idea 4 years ago) and this lack of customer service is also a poor reflection on me. I recently found out that she has been telling people that she and I are working together to make the jewelry. It is very frustrating to have someone steal an idea that you worked years to perfect and then to especially have them do a poor job and have it affect your reputation as an artisan.
I politely explain to people that this girl stole my idea and that we do not work together. I never tell customers rude or bad things about her….I just shrug and say…………oh well… these things happen when you do craft shows but it is extra disappointing when a friend does it to you. It does make me fearful of telling ANYONE how things are made or sharing any info on my suppliers.
The only thing I can do is to keep my standards high and to take this as a challenge to find new and creative jewelry to make. Instead of dwelling on the stolen ideas I try to put my energy into creating new ones.

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By: Beth Bernard https://jewelrymakingjournal.com/how-to-handle-copycats-in-my-booth/#comment-224507 Sat, 11 Oct 2014 23:44:36 +0000 http://jewelrymakingjournal.com/?p=8022#comment-224507 Ok, playing Devil’s Advocate here.
I have to admit I haven’t read all of the responses above, but I just have to say, that if someone passes by my booth and likes what I make, chances are, if they make their own jewelry, they aren’t going to buy my stuff anyway. Hello! They make their own! (I admit I peruse jewelry in booths and get “ideas” for things I would like to make on my own).

Remember the old saying “Imitation is the sincerest form of flattery!”? I, personally, would be flattered if another artist liked my creations enough to copy them. It’s doubtful that this person and I will have the same target audience.

The only time that this would really disturb me would be if it was someone who sold their jewelry in the same area that I live in, and would try to undercut me on the price.
I’m sure this isn’t the most popular response, but there it is.

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By: Tammy https://jewelrymakingjournal.com/how-to-handle-copycats-in-my-booth/#comment-49009 Sun, 09 Feb 2014 00:00:39 +0000 http://jewelrymakingjournal.com/?p=8022#comment-49009 I would not say that immitation is a form or flattery……………especially when someone who is considered a friend copies your ideas. I have done numerous craft shows for over 4 years and became good friends with another vendor. We ended up being side by side at so many shows that a good friendship developed. We even socialized outside of the craft show circuit. About 4 years of doing craft shows was enough for me and I decided to open my own shop. I brought my friend’s jewelry ( magnetic jewelry for pain) into my shop and sold it for her, with no commision. Always glad to help out a fellow artisan. She decided that she wasn’t making as much money selling her magnetic jewelry but had always seen how well my broken china jewelry had sold. Well……unknown to me, she went behind my back and started making the exact bracelets that I designed ( she knew the ONLY place to order the supplies I use) and because I wasn’t doing the craft show circuit she decided that she would wholesale her bracelets instead of doing craft shows on her own now. I found out eventually that she was doing this when people came into my shop and mentioned that they had seen my jewelry in different stores. I know I wasn’t wholesaling to these stores so I did some investigating and found out it was my friend Mary who was making and selling the bracelets to all these store. It was bad enough she stole my idea and my exact design but now she was selling them to store in my back yard.
The worst part for me was that her work was not up to the same standard as mine and her product was not as durable. Her poor craftmanship reflected badly ON me. Because my jewelry was so unique and people had seem me for years at craft shows, thought that the pieces in these stores were made by me. It was very frustrating to have this negative feedback from her product reflecting on me. She not only made it so my designs were no longer unique ( she flooded the market with them) but her poor workmanship made me look bad to those who didn’t know that I was not the one who made these bracelets, So when people came into my shop and saw the same bracelet that they had just seen in another village in a specialty shop I would hear comments about how poorly they were made ( she used inferior jump rings etc)………so I actually started to tell people about how she stole my idea and design and show them the difference between what they were getting from me and the lower quality ones that she was making. I hated to speak badly of someone but felt I needed to protect my reputation. I didn’t speak harshly of her, as I didn’t want anyone to think that I was bad mouthing her just because she stole my idea. I just wanted customers to know the difference between the product I made and the copy cat bracelets;
I know that through word of mouth that the information will get around that I had been copied and that if folks wanted the original design they had to come to my shop to find them. It has been a very heart breaking time to know a friend would do this to me and to work through the negative feedback on my designs when I have worked for years to build up a good reputation as being a creative artisan who takes pride in the quality of my work.
I try not to be resentful …….but my ” friend” is no longer on my Christmas card list…..LOL………….and now I just push myself to keep coming up with new designs and to find the positive in this situation by challenging myself to continue to create and to keep my good customer service practices. Things happen and I guess the sting only felt stronger because it was someone close to me that did it.

Tammy

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By: John https://jewelrymakingjournal.com/how-to-handle-copycats-in-my-booth/#comment-19172 Mon, 08 Jul 2013 13:43:59 +0000 http://jewelrymakingjournal.com/?p=8022#comment-19172 When I first started making Jewelry I did not have a lot of my own ideas. I was not that creative yet, so when I would go to a show and saw a piece I liked and wondered if I could make it myself, I would ask if I could take a picture and explain to them I was new at making jewelry and I would like to see if I could do that piece myself but not to sell it, just for the practice. I was always given the ok to take the picture, and they would appreciate me asking permission. I would also let them know I was disabled, even though I had my cane with me and ever since I started making jewelry, it would take my mind off my pain and that was my best Therapy. Everyone was so glad to hear that. I would never sell anyone else’s idea, but it sure helped me learn how to make jewelry. I sell a piece of jewelry here and there and hope to one day sell at some local shows. I thank all those who have helped me. John 🙂

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By: Kim https://jewelrymakingjournal.com/how-to-handle-copycats-in-my-booth/#comment-18669 Mon, 17 Jun 2013 18:36:52 +0000 http://jewelrymakingjournal.com/?p=8022#comment-18669 Possibly. However, there is a great saying by Theodore Roosevelt: “Comparison is the thief of joy”. I don’t have a problem with people looking; it’s part of the process. It’s when they feel entitled to my knowledge and take time from other customers. It’s a problem when “inspiration” leads to copying. Copying is not only a form of theft, it’s laziness and desperation that floods the market with pale imitations. It dilutes the talent pool and reduces the limited number of opportunities at craft and art festivals. Sooner or later, a true artist has to engage in introspective behavior and walk their own path. That is, if they wish to be considered a true artist.

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By: Darlene https://jewelrymakingjournal.com/how-to-handle-copycats-in-my-booth/#comment-18647 Mon, 17 Jun 2013 11:35:19 +0000 http://jewelrymakingjournal.com/?p=8022#comment-18647 Maybe they’re just looking for inspiration…

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By: Diana https://jewelrymakingjournal.com/how-to-handle-copycats-in-my-booth/#comment-16843 Fri, 03 May 2013 17:14:24 +0000 http://jewelrymakingjournal.com/?p=8022#comment-16843 I would never “license” or create something and sell it as my original desin. I think I may be on the wrong thread in the way that what is being talked about seems to be at shows and people’s booths.
I haven’t even started my business but want to be careful I don’t “step on toes”. I look at turtorials a lot. For example the egyptian coil bracelet is seen a lot and many people make these. I assume anyone can. But I also see online a person who makes wire bracelets with a stone in the middle andjust looped close. I see more than one person selling these. The same with the turtorial Rena did showing making a looped coil and it has a small loop for the ear wire to be attached. I’ve seen this being sold in “findings” at more then one person’s shop on ETSY. That was the confusion I have.
I’m feeling better about what everyone is talking about though and promise never to bring a camera to a persons booth at a show 🙂 Thanks for the reply!

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By: Kim https://jewelrymakingjournal.com/how-to-handle-copycats-in-my-booth/#comment-16761 Wed, 01 May 2013 17:44:35 +0000 http://jewelrymakingjournal.com/?p=8022#comment-16761 It can be confusing. If in doubt, contact the author of the tutorial to clarify. My interpretation is that a tutorial is used to teach a technique, not to license to duplicate the design and sell it as original art. Best of luck with your new venture.

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By: Diana https://jewelrymakingjournal.com/how-to-handle-copycats-in-my-booth/#comment-16184 Thu, 18 Apr 2013 17:06:07 +0000 http://jewelrymakingjournal.com/?p=8022#comment-16184 Hi all,
I am trying to start a business (don’t even have a name yet.) This article is very confusing to me except of course someone taking photos of your work! What is OK to make that one sees online? I’ve seen tutorials on youtube and people’s blog. I asked one person if I could use her work that showed tutorials and she said if they are on youtube to go ahead. If they were on her website go ahead but it is nice to acknowledge her as the designer. She said designs of hers that are close to her heart she does not do tutorials for them.
I have also looked at the etsy site of other’s to just look and to buy findings etc. I’ve seen more than one shop that has the same bracelet or close to it. Silver bracelet with stone in the middle and loops on each side of stone. I’ve seen the tutorial Rena has shown to make a open spiral and then loop at the top for a earring and have seen many of these. I have also seen basic or simple designs wire wrapping.
I don’t want to start and be “stealing” someones idea but if I see the same one in numerous places plus turtorial’s am I right to assume that’s ok? Very confused please send your thoughts.

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By: Michelle https://jewelrymakingjournal.com/how-to-handle-copycats-in-my-booth/#comment-12264 Thu, 28 Feb 2013 22:13:52 +0000 http://jewelrymakingjournal.com/?p=8022#comment-12264 When doing a booth at a craft show, especially an indoor one, I think it is a very good idea to get the vendors together to speak to the facility host of the show. That way, a formal sign can be put up upon entry and inside also, that:

‘Photography is expressly forbidden. Those breaking this rule will not be tolerated and removed from the arena’. *Or similar*

It could also be printed on entry tickets somewhere. ‘No photography allowed’. Or be the words of the entry rubber stamp for peoples hand *Photography is forbidden/not allowed at this event*

This way everyone is on an even keel.
😀

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By: Kim https://jewelrymakingjournal.com/how-to-handle-copycats-in-my-booth/#comment-12267 Thu, 28 Feb 2013 21:07:20 +0000 http://jewelrymakingjournal.com/?p=8022#comment-12267 Michelle – Love it!!!

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By: Michelle https://jewelrymakingjournal.com/how-to-handle-copycats-in-my-booth/#comment-12265 Thu, 28 Feb 2013 20:16:39 +0000 http://jewelrymakingjournal.com/?p=8022#comment-12265 ……forgot to say, that of course, if the words are rubber stamped on the back of someone’s hand, they can hardly say they didn’t know when they reach for their phone or their camera!! 😀

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By: natasha burger https://jewelrymakingjournal.com/how-to-handle-copycats-in-my-booth/#comment-11357 Sat, 26 Jan 2013 06:29:19 +0000 http://jewelrymakingjournal.com/?p=8022#comment-11357 If we never looked at anyones ideas we would never learn and grow – ideas abound in books and magazines, and in every picture we share online in our shops, blogs and pinterest. I could look for hours at the beautiful designs other jewelery makers create, and I love to do so. I might be inspired to try something like them, but unless I have the same materials and skillset, there is no way I could copy them. Now don’t get me wrong, I am not in favor of the rude copycats out there, and agree that cheap knockoffs are an insult, but…. as far as I can tell there is no way to prevent a determined copycat and all the ideas so far (except offering classes/selling tutorials) could so easily come across to other customers as very rude and a waste of my good humor. I prefer to smile and nod, say “I get my supplies all over, I have been doing this for a while and isn’t it great fun to create beautiful things, have you tried xyz magazine for ideas?” and leave it at that. Karma

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By: Kim https://jewelrymakingjournal.com/how-to-handle-copycats-in-my-booth/#comment-11334 Thu, 24 Jan 2013 20:45:51 +0000 http://jewelrymakingjournal.com/?p=8022#comment-11334 Food for thought Patti. However, would be more interested in hearing constructive suggestions. Staying at home after investing my heart, soul and savings into my business is not a viable or practical solution.

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By: Patti Panuccio https://jewelrymakingjournal.com/how-to-handle-copycats-in-my-booth/#comment-11328 Thu, 24 Jan 2013 17:11:20 +0000 http://jewelrymakingjournal.com/?p=8022#comment-11328 My first experience was a T-Shirt design I screen printed, a known copier at least waited till I had made 10k before he copied it. I have been doing shows of some sort or the other my whole adult life, what I learned is if I am open and willing to share I feel better. If you put yourself out there with your stuff you can bet there is someone out there that will steal it. It’s the China principle. When I sell a piece that I have put myself into I’m tickled, if someone copies it, it is no longer mine. My philosophy if you cannot handle competition and rejection, which is all part of dealing with other human beings, stay home.

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By: Kim https://jewelrymakingjournal.com/how-to-handle-copycats-in-my-booth/#comment-11320 Wed, 23 Jan 2013 22:51:11 +0000 http://jewelrymakingjournal.com/?p=8022#comment-11320 Just saw this and found the comments interesting. I have since adopted a policy of avoiding other jewelry artists booths shortly after starting this topic. Extreme? Possibly. I do know that by doing so, I avoid being influenced by the work and styles of other artists and also being accused of copying other artists designs. I try to move forward and be true to my art and principles but it’s not realistic to suggest that this shouldn’t be upsetting. My daughter visited me at a show recently. As she walked through the venue, she saw other artists with similar displays and jewelry. Ridiculous. Worse is when people ask if I’ve been at a particular event because my work and booth look just like another artist’s work. How exactly does that happen if I stay out of other artists booths? Someone had stated how do you know they’re copying you? When they come right out and say, “What a great idea, I’m stealing it”. That’s usually a good indicator. Also when a group of people come up to your booth and start taking notes. I greet them with a friendly word and they say, “We’re not here to buy anything, we’re interested in your booth set up.” And then they proceed to talk as if I’m not there, making comments to each other about how to reproduce the displays. This has happened on several occasions. It’s difficult to enjoy that kind of environment.

People ask where I find my inspiration. The answer is three fold: Commit to working in the studio everyday, take classes to expand your skills and practice, practice, practice. Finally, keep a sketchbook. I have six sketchbooks full of ideas. It would take years to complete every design and I doubt I will ever catch up. It’s not necessary to feed off other artists creativity if you commit to developing your own style.

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By: anil https://jewelrymakingjournal.com/how-to-handle-copycats-in-my-booth/#comment-6298 Sun, 14 Oct 2012 18:16:20 +0000 http://jewelrymakingjournal.com/?p=8022#comment-6298 I agree with Sirona Jewelry. A designer’s job is to evolve. How long can we be stagnant. We have to grow out of this discomfort from copycats.

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By: Ursula Koenig https://jewelrymakingjournal.com/how-to-handle-copycats-in-my-booth/#comment-4486 Mon, 27 Aug 2012 22:40:15 +0000 http://jewelrymakingjournal.com/?p=8022#comment-4486 I know a jewelry designer that is a big, recognized name and when she displays in New York and sees certain people heading toward her booth, she has a staff with trenchcoats/scarfs to cover everything immediately. It goes that far. But for my little handmade line, I don’t mind when folks photograph. It’s hard to copy me when all of my work is inspired by where I travel. And most of it’s Mexico. And, I like a great photo posted on social media that they attended my show. I do elaborate displays anyway – I don’t mind any publicity, even copying. They will never capture every idea I always have 🙂

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By: Kate https://jewelrymakingjournal.com/how-to-handle-copycats-in-my-booth/#comment-4341 Fri, 24 Aug 2012 18:23:09 +0000 http://jewelrymakingjournal.com/?p=8022#comment-4341 Honestly? I don’t worry about it all that much. Most of our current pieces are one of a kind, so when it’s made, that’s it and we move on, leaving any copy cats scrambling to catch up. Plus, we display work online, in multiple venues, and I’m not so naive as to believe someone can’t try to copy from a photo and good meta description anyway. Our customers know we do solid work, and we guarantee it with repairs if necessary.

I do keep a camera in my booth, and I do let customers know I have it, but this is intended as less of a copy cat deterrent than an effort to engage new clients. We bring in a lot of young art enthusiasts and I like to chat with parents and keep mementoes of their children’s design efforts.

As far as suppliers go, I don’t always like sharing all of that, and Rena’s suggestions on deflecting are good. But I do offer tips that I think have business potential, for example, if a piece is upcycled or the stones are locally sourced or, in the case of human rights or environmental issues, purchased from some exceptionally reputable place, I’ll draw attention to that.

A few other thoughts: I’ve started making many of my clasps and my earwires by hand. It’s a distinctive style, and I always use genuine metals and stones in my new pieces, so to really copy me, the “thief” or secret admirer or whatever we call her must use high-quality materials and do more work than just hitting Wal-Mart or flipping through a catalog. We also do upcycled and vintage jewelry — good luck getting a piece of 1950s or 60s jewelry that looks like mine!

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By: Andrea Ross https://jewelrymakingjournal.com/how-to-handle-copycats-in-my-booth/#comment-3959 Mon, 20 Aug 2012 06:19:38 +0000 http://jewelrymakingjournal.com/?p=8022#comment-3959 I am glad this copycat discussion was started because I would never try to copy anyone’s design but I agree with Amy that some materials may end up looking similar without any copying involved. For example in making wire clasps, I was playing with different shapes and wondering if these had all been done before. Have I seen them before in the past, would anyone be upset with this component that just happened to be wound around my mandrel like this or that? I just want to make a wire hook that works and is pleasing to my eye; now I have to worry about someone accusing me of copying them even when I am not attempting to do so. I think my necklaces are creative and I use different materials, and I love doing that. But should I be worried that each component or combination might be questioned. That makes this creative endeavor feel much less enjoyable.

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By: Jackie https://jewelrymakingjournal.com/how-to-handle-copycats-in-my-booth/#comment-3485 Sat, 11 Aug 2012 22:37:58 +0000 http://jewelrymakingjournal.com/?p=8022#comment-3485 I like to create beads in polymer clay, and this question comes up a lot. Most basic beads can be copied quite easily, but the more elaborate the bead, the harder it is to copy it. But ideas tend to percolate around in a community, and it can be difficult to come up with truly original work.

A friend of mine made a lovely polymer pendant, and posted it for sale in her online shop. Lo and behold, a very well-known polymer artist wrote to her and informed her that was too much like one of her own designs, and had to be removed from sale immediately!

Much cattiness and discussion of ethical business practices and copyright issues ensued. The sad part was that my friend’s design had nothing to do with the other artist’s work, it had been born from her own heart, and she was very proud of it. The whole issue was very hurtful, and dampened my friend’s enthusiasm for quite a while.

Had the offended artist responded in a pleasant, cooperative and gentle manner, the issue probably could have been solved quite easily. Lesson learned? Be generous and compassionate in your own dealings with other artists, and remember that the shoe can pinch when worn on the other foot!

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By: Amy https://jewelrymakingjournal.com/how-to-handle-copycats-in-my-booth/#comment-3422 Fri, 10 Aug 2012 15:02:14 +0000 http://jewelrymakingjournal.com/?p=8022#comment-3422 I have seen designs that I thought were my original ideas from other designers. I know they did not copy me; in fact I “felt” like I was copying them, though I wasn’t. We just both happen to come up with a very similar design. I think we can end up making the same things (or very, very similar) and not be copying anyone. I was pondering over this, because I found it quite discouraging – that “my” idea really wasn’t anything “new”. But the variables can still be there – in style, materials, techniques, etc.

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By: Melissa Arnold https://jewelrymakingjournal.com/how-to-handle-copycats-in-my-booth/#comment-3239 Tue, 07 Aug 2012 23:10:38 +0000 http://jewelrymakingjournal.com/?p=8022#comment-3239 What I also forgot to mention was that, currently we are discussing another crafter that copies us. The real issues is that “product developers” sniff out products at trade shows and craft shows to copy. Not to copy in a small scale, but to put in BIG stores like walmart, H&M and so forth – and THAT is when you lose money. They make the big bucks from your design. If you do nothing – you can later be sued for ‘copying them’.

Fortunately some artists have been able to sue and win against big companies, such as H&M. But the sad thing is – they already made the bucks, and in the grand scheme of things you’ll never be the one known for designing the product. The big box store will.

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By: Melissa Arnold https://jewelrymakingjournal.com/how-to-handle-copycats-in-my-booth/#comment-3234 Tue, 07 Aug 2012 22:24:10 +0000 http://jewelrymakingjournal.com/?p=8022#comment-3234 I always ask what the photos were for “are you taking pictures for a blog?” but I never knew how to actually stopped them. I cringe every time I see someone pull out a camera.

So thank you sooooo much for the idea to take photos of the photographers. That will help so much =)

I get asked a lot about where i get my Lucite flowers or my pocket watches and I always say things like “locally, sometimes online. You just have to search around.” Some people come by telling me they have been thinking about starting a jewelry business. I tell them that it’s a saturated market so it’s hard to make money, and you will find you’ll spend over 10k in two years and still wont have made your money back. That takes about 5years or more. So unless you have money sitting around, you might want to look into a different kind of craft that isn’t so saturated.” This I do not only because I want to be honest, but I don’t want them copying my work.

I’ve also received advice that you should change the look of your booth all the time. Another idea was that you should mail photos of your work to yourself. If you keep track of all the jewelry you’ve made in one month on your computer, print out all the photos and then mail it to yourself, asking the post office to date stamp it. In case you need to take someone to court about copyright, you will have the untouched photos inside the envelope as proof.

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By: Sherry Hooker https://jewelrymakingjournal.com/how-to-handle-copycats-in-my-booth/#comment-3198 Tue, 07 Aug 2012 17:54:03 +0000 http://jewelrymakingjournal.com/?p=8022#comment-3198 I’m just starting out making jewelry (nothing like the artisans here), but there are some pieces that I’ve seen and wondered, “Can I do that?” I can look at pictures all day long and not get it, but to look at an item, it makes sense. Would I copy it? I don’t believe there’s any way I could, but I’d like to try the technique.

Sometimes I look at pieces mainly to see if there is something I can do to change my rather generic pieces, into something different. I guess, in the strictest sense, I am copying. But, I’d be willing to bet, if you look back in history, your original piece isn’t as original as you believe. If you make a clasp that looks like someone else’s, can you be accused of copying?

I have taken a picture once or twice at our local market, but it wasn’t to copy, it was to ask my daughter if she’d like to have that item. After reading here, I realize I should have first asked. I just didn’t think. But, I would have been mortified had someone treated me as though I were a criminal and I doubt that I would have bought anything from them- ever.

It’s understandable being upset when others make cheap knock-offs, try to pass the design as their own, and undercut your prices. But, just in choosing beads, I can tell you that true quality shines through. You do realize, it’s not likely the person buying the knock-offs would purchase your quality items, either because they don’t appreciate true quality, or they don’t have the funds for the better items?

As for the lady who took the grilling from the woman at her booth; It’s like Ann Landers used to say, “Someone can only abuse you as far as you let them.” If you truly didn’t mind answering her questions, you could have asked for her number and suggested you call her at a more convenient time. Less frustration for both of you and more time for your other customers.

Some people love what they do so much that they are willing to share that love with others. You don’t have to give away your personal designs in order to give basic information. Sometimes a person like me just wants to know how to wire wrap, or do I need special tools to do something like that. Though, there is a time and place to ask those questions.

I am 65 and retired, the jewelry I make usually ends up as gifts for family and friends, but I do sell a few pieces. It helps cover my materials so I can continue this most relaxing hobby. After reading all the comments here, I’m not sure I want to be a part of a community where I will be accused of being a copycat if what I’ve made looks too similar to someone else’s. Of course, my husband would say we’re all copycats, we all make brooches, necklaces, and bracelets… Now whose ideas were these, anyway?

My hat’s off to all the true artisans I have seen here and on other sites. May you look beyond appearances and find the truth and may you always love what you do.

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By: DeWanda https://jewelrymakingjournal.com/how-to-handle-copycats-in-my-booth/#comment-3009 Sun, 05 Aug 2012 04:36:30 +0000 http://jewelrymakingjournal.com/?p=8022#comment-3009 When I do a show and they ask questions I tell them ” I don’t discuss my sources” or ” I don’t discuss my recipe at all” and i look them straight in their eyes.

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